Writing Tips from Wannamarry U.   

POV1

Monica wandered into the parking lot at Wannamarry U, deep in thought. There was nothing she wanted more than to be a published romance author, but as an incoming freshman, she realized she had a lot to learn. She’d listened carefully to today’s lecture on point of view, but the concept still eluded her. If only there were a way to make it clear.

She stacked her books on the roof of her Dodge Spirit and fumbled in her purse for the keys. Footsteps pounded behind her, hard and fast. She froze with fear, gripping the purse to her chest. It must be the university’s latest threat. Everyone was talking about him.

The mugger.

“Give me all your money,” he growled and stabbed a pistol in her back.

She gasped. “I…I will, but please don’t shoot me with that .44 automatic.”

There was a pause. Seconds ticked away while Monica wondered desperately if they were her last. The cold steel of his revolver sent a shiver up her spine.

Finally, he spoke. “How did you know what kind of gun I have?” 

His question caught her by surprise. But, of course. The man was standing behind her, and she couldn’t actually see him or his weapon. “Oh, I see. I messed up my POV.”

“POV? What’s that? Pissed off villain?”

“No, point of view. You see, from where I’m standing, there are things I couldn’t possibly know. Like you’re wearing a red shirt.”

“Dang, lady.” He frowned. “You must be psychic.”

Monica considered. “Perhaps I am. How did I know you just frowned?”

“Well, never mind. Just give me that twenty dollar bill you’ve got hidden in your purse.”

“Hmm. You must be psychic, too.”

“Enough!” He reached around her and wrenched the purse from her grasp. 

She caught a glimpse of his shirt. Red. How could she have known?

“Lay down on the ground, lady. Face down. I don’t want you to identify me.”

Good idea. Then maybe he won’t hurt me. Monica stretched out on her stomach.

He opened her purse. Dang, this lady carries around a ton of junk.

“Wait a minute,” she said, her nose against the gritty surface of the parking lot. “This is my POV. You’re not allowed to think.”

“Oh, yeah? And how are you going to stop me?”

“I can’t stop you from thinking, obviously. But whatever you’re thinking or feeling has to come through my point of view. I can use my five senses, my intuition, my reasoning skills, or my past experiences to figure out what is going on. Everything is filtered through me—”

“Oh, it’s all about you. Typical.” He dug through her purse. “If you’re so smart, what do you think is going on now?”

“Well, I can’t see you, but I know you’re going through my purse. I can hear the sound of you rummaging through my things. But there’s no way I could know you have a tattoo on your shoulder that says ‘Shirley.’”

Damn. She knows too much.

“I heard that,” she warned him. “I told you, this my POV. And you’re about to be arrested.”

“How do you know?”

“Don’t you hear the siren?”

He yelped as tires screeched on the pavement.

“Drop the gun!” a deep voice shouted.

A scuffle erupted behind her. Monica scrambled to her feet, ready to flee. There was no need for escape. A young police officer had wrestled the mugger to the ground. The contents of her purse lay scattered over the asphalt.

She took a deep breath. “Oh, officer. Thank God you’re here.”

The policeman snapped handcuffs on the thief. “Just doing my job, ma’am.” As he hauled the mugger to his feet, the officer’s biceps bulged in the tight shirt of his navy uniform.

Monica’s mouth fell open. Why, her rescuer was so handsome. And so strong. 

He deftly stuffed the mugger into the backseat of the squad car and shut the door. Then he turned to her with a smile. “Are you all right?”

She was lost. Why write romance when she could experience the real thing? In her own point of view. She sidled up close to the policeman. “How can I thank you, Officer Riley?”

He gave her a confused look. “How do you know my name? Have we met before?”

“No, but I have a POV problem.”

“I see.” He admired the deep green of her eyes.

“Are you allowed to do that in my POV?” she asked.

“Do what?” And those lips of hers. I bet they’re delicious.

“You did it again. This is my POV, and I should do all the thinking.”

“Oh.” Officer Riley rubbed his jaw. “Then what do I get to do?”

“You can talk and move and have expressions on your face. But I can’t know what you’re thinking. That would spoil the mystery and magic of romance.”

He cocked an eyebrow. “You like romance?”

“Oh, yes. Don’t you?”

“Maybe. But what do you mean by the mystery of romance? It always seemed rather…straightforward to me.”

“Oh, no. It can be wonderfully mysterious. You see, from my point of view, I can only guess at what you’re thinking or feeling.”

A hint of a smile played on his lips. “Rather like detective work?”

“Exactly. I’ll draw whatever conclusions I can by using my five senses.”

“I see.” He stepped closer. “And what are your senses telling you now?”

“From your movements, I can see that you’re interested in me.”

“Mmm.”

“And I would say the sexy sound of your voice confirms it.” She smoothed her fingers over his muscular arms. “And you feel like you have excellent stamina.”

He pulled her against him. “A brilliant deduction.”

“And you smell like danger and Old Spice.”

He smiled slowly. “All that’s left is taste.”

She wiggled out of his arms. “We’ll leave that for later, until the sexual tension rises and threatens to overwhelm us.”

Damn. He felt it rising right now.

“I heard that,” she warned him. “Don’t you dare take over my POV in mid-scene.”

“Fine. Let’s go to my place and start a new scene. And next time, I get to do all the thinking.”

Monica smiled. Fat chance. As if she wanted him for his mind.

“I heard that,” he said. 

Oh, shoot. She sighed. This POV was trickier than she’d thought.

Does Monica have eyes in the back of her head? Will she find true love with Officer Riley? Will she drive around town with her books on the roof of her car? Only Wannamarry U.’s. head librarian Kerrelyn Sparks knows for sure. Stay tuned for more classes from Wannamarry U..

Click here to read article 2: Punctuation 101